It's also an exercise in design, which was initially inspired by '8 Red Rectangles' by Malevich. Even I didn't know how these two entities would visually resolve their differences until the end of drawing this story. And despite it's overall simplistic design, it was not a simple task to populate this book with so many lizards and rectangles. And because of my red-green colourblindness (oh, the irony) I have developed a very effective but very tedious and time-consuming process to render my final illustrations. Let's just say that this is compiled from HUNDREDS of layers in Photoshop. Nor was it easy to work out the visual actions and reactions, but it was fun.
And if you look closely, there are some sad scenes. At one point I actually got really emotional drawing these little reptiles. Each lizard has its own story. If you get this book, really take a good look - A REALLY GOOD LOOK - at all the lizards. They're not all fighting. In fact, most are NOT fighting. And the ones that are fighting are inadvertently hurting other lizards. Hang on, are the rectangles JUST lifeless objects? Are the lizards fighting against themselves without even realising it? You could get really deep with this... I did.
I realise it was a bold move to include a 'death'. But that was the catalyst for the 'biggest war ever'. Often, war is because war was, until someone has the audacity to pose the most direct question of all, or proclaim that enough really is enough. I did intentionally soften this scene by using the word 'squashed'. And, if you look closely, you might spot a little bandaged lizard on every page after the 'squash' so maybe she/he is ok after all. That's up to you.